Samuel van hoogstraten
Dutch Baroque Era Painter, 1627-1678 Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.
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Samuel van hoogstraten Man Looking through a window oil painting


Man Looking through a window
mk150 1653 111x86.5cm
Painting ID::  39683 		Samuel van hoogstraten
Man Looking through a window
mk150 1653 111x86.5cm
   
   
     
Samuel van hoogstraten the slippers oil painting


the slippers
mk247 1654 to 62,oil on canvas,39x28 in,100x71 cm,louvre,paris,france
Painting ID::  56087 		Samuel van hoogstraten
the slippers
mk247 1654 to 62,oil on canvas,39x28 in,100x71 cm,louvre,paris,france
   
   
     
Samuel van hoogstraten a view down a corridor oil painting


a view down a corridor
mk247 1662,oil on panel ,104x53 in,264.2x136.7 cm,dyrham park,gloucestershire,uk
Painting ID::  56088 		Samuel van hoogstraten
a view down a corridor
mk247 1662,oil on panel ,104x53 in,264.2x136.7 cm,dyrham park,gloucestershire,uk
   
   
     
Samuel van hoogstraten Self portrait oil painting


Self portrait
Source Unknown
Painting ID::  70622 		Samuel van hoogstraten
Self portrait
Source Unknown
   
   
     
Samuel van hoogstraten The anemic lady oil painting


The anemic lady
ca. 1660-1670 (1660-1678) Oil on canvas 69.5 x 55 cm (27.36 x 21.65 in)
Painting ID::  71836 		Samuel van hoogstraten
The anemic lady
ca. 1660-1670 (1660-1678) Oil on canvas 69.5 x 55 cm (27.36 x 21.65 in)
   
   
     
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     Samuel van hoogstraten
     Dutch Baroque Era Painter, 1627-1678 Dutch portrait painter and etcher, studied with his father, Dirk van Hoogstraten (1596?C1640), and with Rembrandt. His best works, such as The Old Jew (Vienna), reflect the influence of Rembrandt. He was director of the Academy in Dordrecht and author of a treatise (1678) in which he analyzed the theory and practice of the art of Rembrandt and other artists of the period.

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